Tag Archives: writing

Writing is a Risk

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(Another in the continuing “Monday Morning Insight” series of quotes to start the week.)

Today is author Richard Matheson’s birthday (20 February 1926 – 23 June 2013), but the quote I’m going to focus on doesn’t come from any of his famous works. Matheson is probably best known as the author of the vampire novel I Am Legend, which not only made it onto the big screen itself but was the inspiration for one of the most iconic zombie movies of all time, George Romero’s Night of the Living Dead. In addition, Matheson wrote for movies and television, where one of his leading works was the Twilight Zone episode “Nightmare at 20,000 Feet.”

In 1994, Matheson was interviewed in The New York Times, in which he said:

Life is a risk; so is writing. You have to love it.

The “life is a risk” part is pretty straightforward. Life is risky, and it’s important to acknowledge that, perhaps especially in this day of legislative and regulatory efforts to eliminate the riskiness of our day-to-day existence.

But how is writing a risk?

Risky?
It’s dangerous out there…. (Image: “Risky?,” by Pig Monkey, on Flickr, under Creative Commons.)

In the abstract, writing is not risky in terms of danger to life or limb. Not all risk is physical. A case could be made that writing itself, the act of writing, is no risk at all; but those who have faced persecution over things they wrote would surely disagree.

For most of us, the risk is not so dire. When we write, we privately face the uncertainty of whether our words will be adequate to express the fullness of our thoughts, and uncertainty is part of risk.

The risk increases when we dare release what we’ve written into the world. Whether we’ve posted something for free on a message board or blog, or offered something for sale in some way, we run the risks of being rejected, being misunderstood, perhaps even being vilified for the thoughts we’ve articulated and the way we’ve stated them.

So we may not usually face bodily risk, but if our thoughts are personal to us, meaningful to us, the risk we perceive is real even though not tangible.

Yet we persist. Possibly we do so because we believe in what we’ve said; possibly because we think whatever reward we might receive is worth the risk of failure; possibly because we’re driven to do it for reasons we can’t articulate. But doing it out of love makes it easier to persist for very long.

Sometimes I wonder if I love it enough.

___
P.S. It’s good for those of us who write to concede that reading is also a risk. Feel like taking a small risk? As I’ve said before, Quality Education won’t magically transform your life, but I’m confident you can find some worth in it.

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Don’t Expect Instant Transformation

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(Another in the continuing “Monday Morning Insight” series of quotes to start the week.)

Many years ago, I had the pleasure of hearing Dr. James “Jim” Belasco speak at a conference. Belasco is known for his entertaining and insightful books on business and management, such as Teaching the Elephant to Dance and Flight of the Buffalo. He gave an entertaining talk, or so I recall after looking at my notes over the weekend. I particularly liked this quote I wrote down:

Unfortunately, reading my book … will not result in instant transformation.

I can relate to that.

Open Book Series
What will you get out of a book? (Image: “Open Book Series,” by Kristin Bradley, on Flickr, under Creative Commons.)

That resonates with me because it’s certainly true of Quality Education, the book I revised and released last year. Reading it will not magically transform your life or your thinking, nor will it automatically revitalize any school system — but I’m confident you can find some good things in it.

It will be equally true of the novel I have coming out in a few months, Walking on the Sea of Clouds. It’s a pretty good book, I think — not perfect, not close to being “great” as such things are reckoned, but good enough for what it is. If near-future science fiction is your thing, you’ll find some things to like in it.

I suspect what Dr. Belasco said rings true for a lot of my writer friends. We do what we do and what we can, and put what we’ve done out in the market for you to consider. We hope you’ll like what we have to offer.

But for me, it’s important that you don’t expect too much. Don’t look to me for something that will change your life or revolutionize your world: you’ll be sorely disappointed. All I try to provide is good words, be they stories or songs or whatever: not great words, not matchless words, but good words — for good people, like you.

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Couldn’t Make It to the Reading? Here’s a Video

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A couple of weekends ago, at the illogiCon science fiction and fantasy convention, I read (performed, maybe? depending on your point of view) part of my forthcoming near-future science fiction novel, Walking on the Sea of Clouds. And because I’m a little odd, I started off my reading by singing one of my songs, “Another Romulan Ale”.

Thanks to the videography of Calvin Powers, there’s documentary evidence of the event:

If you’re interested, check it out by starting the video above or going directly to YouTube for Gray’s illogicon 2017 Reading.

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Did You Know? Or Have You Not Heard?

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This past weekend, some friends told me they had listened to Truths and Lies and Make-Believe while they were traveling recently, and wondered when I was going to do a new CD.

Truth to tell, I had hoped to record a new CD this year — I’ve got a few scratch tracks down, and some more songs I haven’t quite worked up. If I managed it, and could get it released before the end of the year, then I’d have completed a new CD every two years since the first one.

In the course of explaining that I don’t think I can make it happen this year, though, I realized that they didn’t know I already had a second CD out … even though it came out almost 18 months ago!

That’s how bad I am at self-promotion.

promotion
Have you heard? Did you know? (Image: “promotion,” by Platform4, on Flickr under Creative Commons.)

And that’s the reason for the question in the title. Did you know, or have you not heard, about these things? Then I really haven’t done my job, have I?

I try very hard not to beat people over the head with what I’ve done, but clearly I could do a little better when even my friends are unaware of new releases.

So now you know. It’d be great if you let someone else know, too!

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illogiCon: SF&F in the Research Triangle

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(Professor Schrodington, the illogiCon mascot.)

The illogiCon science fiction and fantasy convention starts tomorrow! I’m going — are you? If so, stop in and see me …

Friday:

  • 7 p.m. in the Cameron Room — Nerd Music Unplugged, with Madison “Metricula” Roberts
  • 9 p.m. in the Smith Room — “Hell Week” Panel, a look at the Space Shuttle disasters
  • 10 p.m. in the Crescent Room — Drop-in Music and Filk Circle

Saturday:

  • 11 a.m. in the Cameron Room — “Famous First Words” Panel, a look at story & novel beginnings
  • 12 p.m. in the Cameron Room — “Famous Last Words” Panel, a look at story & novel endings
  • 1 p.m. in the Crescent Room — Reading … possibly something from my forthcoming novel?
  • 2 p.m. in the Reynolds Room — Baen Books Traveling Road Show
  • 4 p.m. in the Smith Room — “Live Action Slush” Panel, in which we consider the story openings of brave volunteers
  • (Tentative) 10 p.m. in the Crescent Room — Open Filk

illogiCon includes a number of unique events, including the illogiCon Brewmaster Competition, which has a “Steampunk” theme for 2017. I’m honored that they chose my tune, “Another Romulan Ale,” as the competition’s theme song!

Hope to see you there!

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Why I’m Not Self-Publishing My Novel, Part III

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(If you’re interested, Part 1 of the series is here and Part 2 of the series is here.)

Since 2016 was a year ago already (!), a brief recap: my near-future science fiction novel, Walking on the Sea of Clouds, is in the pipeline to be published by WordFire Press. Way back last year (!) a newsletter reader sent in this question: Why did I go with a small press instead of self-publishing? I came up with three reasons. The first two are linked above, and lead in sequential fashion to:

Third, and Possibly Most Important: Publishing is Hard

I say that with the authority of experience, because I’m already a publisher. I produced and published my two CDs — though I reckon the term is “released” in the music business — and that wasn’t a trivial effort. Granted, I didn’t engineer or master them and my performance on them was limited to what I could reasonably do, but once the tracks were mastered I handled the rest of the production process.

I also say “publishing is hard” with the authority of vicarious experience. Several friends of mine are in the self-publishing business, writing and publishing and art directing and marketing their own work. Some of them have enjoyed very high degrees of success. For my novel I could learn from their examples and follow in their footsteps and take on all those responsibilities as well, but, as Simon Tam said in an episode of Firefly, “That thought wearies me.”

Books

(Image: “Books,” by Moyan Brenn, on Flickr under Creative Commons.)

 

The thought wearies me because I know how much effort it entails based on my experience in the nonfiction world. As my blog and newsletter readers alike know, late last year I self-published the revised and updated version of Quality Education — available here (and you and all your friends in education should definitely check it out). Not only did I restructure the book so that it’s nearly unrecognizable from the original print version, but I got it formatted for e-book as well as for print-on-demand production, consulted on the cover design (I knew better than to try to do it myself), and have since been trying to market it in the midst of everything else I’ve got going on.

The thought of self-publishing my novel wearies me because the experience of self-publishing my music and my education book nearly wore me out.

So, when we get down to the proverbial brass tacks, I really like the idea of participating in the publishing process with my novel, rather than running the process. And I hope that by leaving the details of production to the good folks at WordFire, I might actually free part of my brain to write some more songs and more stories — short and long!

___
P.S. For a different take on self-publishing’s place in the larger publishing universe, Larry Correia recently “fisked” an article from a “literary” author who had little good to say about self-publishing.
P.P.S. As noted at the outset, this brief blog series was originally an issue of my every-once-in-a-while newsletter. You can subscribe to get the latest on my shenanigans.
P.P.P.S. Seriously, I would greatly appreciate it if you would take a look at Quality Education, and encourage your friends in education to take a look at it, too. Thanks!

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Why I’m Not Self-Publishing My Novel, Part II

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(If you’re interested, Part I of the series is here.)

To recap: my near-future science fiction novel, Walking on the Sea of Clouds, is in the pipeline to be published by WordFire Press, and a few weeks ago a newsletter reader sent in this question: Why did I go with a small press instead of self-publishing? I came up with three reasons.

Last week I laid out my first reason: the value a publisher adds to a novel. So here we go with:

Second, I Value Publishers’ Selectivity

I may be more aware of this aspect of publishing because I’m on the front lines of selecting novels for a major publisher — Baen Books — but in general novels selected for publication by big houses and small presses alike have crossed a certain threshold of quality, simply by virtue of being selected from a large number of submissions.

Be the first to read...

Imagine that you can only afford one (or maybe two) out of all the books on all those shelves — that’s what a publisher faces in selecting novels to publish. (Image: “Be the first to read…,” by Thomas Leuthard, on Flickr under Creative Commons.)

 

The “threshold of quality” assumption may not be equally true in all cases — some publishers take chances on novels and other books they might not usually take, for various reasons — but in most cases a novel gets into the publication pipeline because someone declares it good enough to carry the publisher’s logo. In fact, often it’s multiple someones: an initial reader (or two or three), maybe a senior editor, perhaps others in the marketing and management end of things, and of course the in-person publisher.

I consider that a vote of confidence in my favor, and I appreciate it.

The publisher’s selectivity is not, of course, a guarantee of success. There are no such guarantees. I don’t know if the story will capture people’s attention, though I certainly hope it does. We’ll see, won’t we?

Meanwhile, next week I’ll cover the third reason I’m trusting a publisher with my novel instead of self-publishing it.

___
P.S. This blog series was originally an issue of my every-once-in-a-while newsletter. You can subscribe to get the latest on my goings-on and projects.

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Why I’m Not Self-Publishing My Novel, Part I

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One of my newsletter readers asked this question, so I obliged and answered it in a newsletter issue, but I thought some other folks might be curious about the inner workings of publishing … so I’ll answer it here, too.

We pause here for a word from our sponsor: Yes, you too can subscribe to my newsletter and get the latest news or whatnot I decide to send out, and even get to ask me questions like this one. And now, back to our story…

If you hadn’t heard, my near-future science fiction novel, Walking on the Sea of Clouds, is in the pipeline to be published by WordFire Press, a small press in Colorado. A few weeks ago a reader sent in this question: Why did I go with a small press instead of self-publishing? The question is even more appropriate now, since just last week I self-published a new edition of my first book, a nonfiction examination of education and how the system might be improved.

I came up with three reasons why I was happy to join forces with a small press instead of trying to self-publish my novel, and I’ll hit them one at a time in three separate posts. First,

I Think a Good Publisher Adds Value

The continuum of opinions on this is probably pretty wide, so let’s see if I can explain my position. Each time we read a book (or listen to a CD, or watch a movie, or whatever), we evaluate it, whether we write a review or not — this is where I might ask you to post a review of one of my CDs or of my book(s), except that I’m terrible at doing reviews myself — that is, we assess the book’s subjective value in terms of our reading experience against its objective value in terms of what we paid for it.

EDIT>

(Image: “Edit,” by Matt Hampel, on Flickr under Creative Commons.)

 

What goes into our subjective evaluation is different depending on our expectations and what adds to or detracts from the experience. A major factor in fiction is the story itself: does it flow well, does it transport us to a time and place we enjoy, do the characters and their situations resonate with us, etc. A good publisher can put a book through successive stages of editing to improve the story. For instance, my novel has gone through the “developmental” edit stage and will go through additional edits as the process continues.

One thing that can affect our enjoyment of the story is simply how easy the book is to read, not in terms of style but in terms of presentation. With respect to that, a book that is well-edited and laid out nicely so that it’s easy to read will probably score higher than one that is sloppy; a good publisher can therefore add value by making an average book better, and a good book beautiful. We may also factor in such things as cover art, and a good publisher can often retain better cover artists than a self-publisher can.

So, even before we consider that a good publisher has marketing and sales connections beyond what most self-publishers can muster, they can add value to the product, the book, itself.

And that’s the first reason I’m not self-publishing my novel.

I’ll cover the other two reasons in future posts. In the meantime, I need to get back to the day’s writing and editing.

___

P.S. Before I go, here’s where I ask you for your help: If you know a parent, teacher, or anyone interested in ways we might improve our educational system, point them to the new edition of Quality Education — completely restructured and updated from the original version — available now on Amazon in both electronic (Kindle) and trade paperback formats. When I released it last week, it reached as high as number 13 on Amazon’s “Education Policy and Reform” list.

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Would You Like to See the Complete Cover?

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For those who are interested, here’s the full wraparound cover for the new version of Quality Education:

Cover design by Christopher Rinehart. (Click to enlarge.)

 

Of course, the wraparound will only be available on the print version.

If you are (or someone you know is) a parent, student, teacher, or administrator interested in improving not just individual classes and schools but helping the entire system operate at a high level, then this updated and completely restructured edition of Quality Education might interest you. Stay tuned for more information — the release is imminent!

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Monday Morning Insight: the Goal of Writing a Book

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(Another in the continuing series of quotes to start the week.)

 

In my college years, I read a lot by James Clavell (who was born on this date in 1924), and particularly enjoyed Shogun, Noble House, and King Rat, which was inspired by Clavell’s experience as a prisoner of war in Changi Prison in Singapore in World War II. Later, I discovered his translation of Sun Tzu’s The Art of War, the introduction to which is well worth reading even if you are already familiar with Master Sun’s masterwork.

Clavell was born in Sydney, Australia, as Charles Edmund Dumaresq Clavell. He eventually became a naturalized U.S. citizen after settling in California, where he was the screenwriter for the classic science fiction film The Fly (among other notable films). Quite an amazing man!

In a 1986 interview, Clavell said:

… the goal of writing any book is to create the illusion that what you are reading is reality and you’re part of it.

I love that quote, and try very hard in my own writing to make my fiction seem realistic. Whether I ever succeed, of course, is up to my readers to decide.

Keep Calm and Read a Book

Even if you don’t read my book — which I would appreciate — I hope you can find the time to read some good books! (Image: “Keep Calm and Read a Book,” by Robert Burdock, on Flickr under Creative Commons.)

 

In that same interview, Clavell also said,

All stories have a beginning, a middle and an ending, and if they’re any good, the ending is a beginning.

That’s another thing to strive for, I think: to make the end of a story a jumping-off point for other stories. Not necessarily sequels, and not even necessarily stories that will be written, but stories that the reader can imagine because the characters and the situations seemed real and resonated.

I can only hope that my fiction achieves those things.

Speaking of which, my newest story, “We Side With the Free,” is coming out in the November issue of Analog Science Fiction and Fact. If you read it, or anything else I’ve written, let me know how you think I did with respect to Clavell’s advice.

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