In Case You’re Nominating for Any Awards This Year

Welcome to my periodic “here’s what I have eligible for awards” post.

119/365 Vote for me...
(“Vote for me…,” by Dave, on Flickr under Creative Commons.)

Fiction. I have two stories eligible for award consideration, published in 2014:

Related/Dramatic Works. I did some voice acting in 2014, too:

Music. My album came out in 2013, but the Pegasus Awards aren’t strictly time-bound. “Another Romulan Ale” and “Tauntauns to Glory” were both played on the Dr. Demento show in 2014, so that’s something. But if you’re stuck for an entry for the rotating categories of the Brainstorming Poll, you might consider:

  • For Adapted Song, “A Ship With No Name,” “Thorin Oakenshield,” or maybe “The Enemy’s Gate is Down”
  • For Time-Related Song, “Ten Thousand Years Ago”

If you’re curious about any of these, whether you’re nominating for the Nebula, Hugo, or Pegasus Awards or not, let me know. I’ll be happy to send you a story, or even sing you a song!

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Going to Dragon_Con

With a shout-out to my classmates who will be gathering for a multi-year reunion this weekend,* here’s my schedule for Dragon_Con 2014 — the largest science fiction and fantasy convention in the Southeast! — being held this weekend in Atlanta, Georgia.

While I will be attending as many of my writing and musical friends’ sessions as I can fit into the schedule, I’m taking an active part in these events:

  • Thursday, 7 p.m. (Dragon_Con Eve) — “Spaceships & Zombies,” a Baen Books launch party for ISLANDS OF RAGE & HOPE by John Ringo and A CALL TO DUTY by David Weber & Timothy Zahn — Peachtree Ballroom, Atlanta Westin
  • Friday, 8:30 p.m. — “Princess Alethea’s Traveling Sideshow,” hosted by Alethea Kontis (whose book of essays, Beauty and Dynamite, was recently re-released) — Room A707, Marriott Marquis
  • Saturday, 1:00 p.m. — SOLO CONCERT! — including songs from Truths and Lies and Make-Believe and the hopefully-soon-to-be-recorded new album … including the DEBUT of a new song based on Howard Tayler’s “Schlock Mercenary” webcomic — Baker Room, Atlanta Hyatt
  • Saturday, 2:30 p.m. — “Baen Books Slide Show and Prize Patrol!” with Baen Publisher Toni Weisskopf and the rest of the Baen crew — Regency V Ballroom, Atlanta Hyatt

Meanwhile, here’s an interview with yours truly on Andrew McKee’s “Everything is Filk” Podcast. Hope you like it!

If you’re coming to the convention, I look forward to seeing you! But whatever you do this Labor Day weekend, I hope you have a terrific time!

___
*I started a rumor that they picked Labor Day weekend because I was already booked.

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On Reaching the Fifteen Percent Mark

As a bit of insight into the economics of independent music publishing, this weekend I broke the 15% mark in terms of CD sales.


(Image by Paul Cory Photography.)

To be precise, I reached the 17.15% point, which means that so far I’ve made back a little over 17% of the cost of recording, engineering, manufacturing, distributing, etc., the CD.

In other words, I’m still over 80% in the hole, almost a year after releasing the album.*

Maybe you didn’t even realize I had a CD out. In that case, at this link you can listen to all 10 songs of Truths and Lies and Make-Believe, which I call “a compendium of musical selections, inspired or influenced by science fiction, fantasy, life, and faith … a multitude of things.” If you decide to buy it, it’s $7 for a download or $10 — only $1 a song! — for a physical CD. (Though you can pay more, if you want to.)

So as I told folks at my concert this past weekend at ConGregate, if you’ve ever bought a copy of my CD, THANK YOU!

And if you like any of my songs, even a little bit, I’d be much obliged if you told a friend or wrote a review or otherwise helped spread the word.

And maybe next month I’ll crack the 20% mark!

___
*And yet I’m crazy enough to be thinking of starting to record a second one!

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Next Weekend I’ll Be at ConGregate, a New Convention in Winston-Salem!

A week from today I’ll be at the inaugural — yes, the first-ever! — ConGregate science fiction and fantasy convention.


(Greg-8, the ConGregate mascot.)

ConGregate has been put together by a wonderful team of experienced and talented convention organizers, so I anticipate it will start out as one of the best conventions going. I’ll actually be there all weekend and will be busy with a number of events, including a solo concert on Sunday morning where I will debut at least one new song:

Friday:

  • 8:00 p.m. — “Beyond the First Draft” workshop
  • 9:00 p.m. — Filk Collective

Saturday:

  • 2:00 p.m. — “Ask the Military” panel
  • 3:00 p.m. — Baen Books Traveling Road Show
  • 8:00 p.m. — “Beyond the Evil Goddess/God” panel

Sunday:

  • 9:00 a.m. — Non-Denominational Prayer Service
  • 10:00 a.m. — CONCERT
  • 1:00 p.m. — “Managing Your Finances as a Writer” panel

As usual, I will have copies of Truths and Lies and Make-Believe as well as “Another Romulan Ale” bumper stickers. Should be a lot of fun — if you’re there, be sure to find me and say hello!

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More Podcast Plays

Last Friday my Lord of the Rings-inspired song, “Mortal Men,” was played on the Baen Free Radio Hour, and two weeks before that the podcast included my song, “Steampunk Pirates.”

Steam-monocle
(Image: “Steam Monocle,” by -=Kip=-, on Flickr under Creative Commons.)

If you want to listen:

BFRH 2014 02 07: Sharon Lee and Steve Miller, David Weber’s Shadow of Freedom Part 47
Sharon Lee and Steve Miller discuss A Liaden Universe® Constellation Volume 2; “Mortal Men,” a song from Gray Rinehart; and David Weber’s Shadow of Freedom Part 47

BFRH 2014 01 24: Ring of Fire author Iver P. Cooper, David Weber’s Shadow of Freedom Part 45
Ring of Fire alternate history series author Iver P. Cooper discusses his new novel 1636: Seas of Fortune; Gray Rinehart’s “Steampunk Pirates”; and David Weber’s Shadow of Freedom Part 45

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Let Me Know if You Nominate One of My Stories

Strictly out of ego-boosting curiosity, if you happen to put one of my stories into an otherwise-unused spot on your Nebula or Hugo Award nomination form, I’d be interested to know about it.


(My best story of 2013 was in the July issue of Asimov’s.)

For readers who don’t follow the science fiction and fantasy field, the Nebula Awards are roughly equivalent to the Oscars or the Grammies, while the Hugo Awards correspond more to the People’s Choice Awards. Nebula nominations are due this Friday, and Hugo nominations are due the end of next month.

Of my eligible fiction published last year, I think my best story was definitely the novelette, “What is a Warrior Without His Wounds?”, which appeared in Asimov’s Science Fiction in July. It’s the story of a double amputee given the chance to have a whole, healthy body again — but at a terrible cost. (I also published two short stories last year: “A Star That Moves,” in LORE in April, and “The Entropy Box,” published in October in the Writers for Relief III anthology edited by Davey Beauchamp and Stuart Jaffe. Of the two, I think “A Star That Moves” is better.)

Of course, my other creative pursuit of 2013 was Truths and Lies and Make-Believe, but there’s no music category for the Nebulas or the Hugos. However, if you suggest any of my songs for a Pegasus Award I’d be interested to know that, too.

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So, What is a ‘Related Work,’ Anyway?

A few days ago, when I posted a reminder about nominating and voting for the Hugo Awards,* a friend asked if my album was eligible in the “Best Related Work” category.

Gray Rinehart presents Truths and Lies and Make-Believe
(Image by Paul Cory Photography.)

The answer, I’m afraid, is no.

At first glance it seemed as if Truths and Lies and Make-Believe (or one of the songs) might be eligible, since most of the songs on the album are science fiction or fantasy-related. The World Science Fiction Society constitution defines “Best Related Work” as

Any work related to the field of science fiction, fantasy, or fandom, appearing for the first time during the previous calendar year or which has been substantially modified during the previous calendar year, and which is either non-fiction or, if fictional, is noteworthy primarily for aspects other than the fictional text, and which is not eligible in any other category.

“Any work related to the field” might seem to include music, but I don’t usually think of music as “non-fiction” or “fictional.” So I looked around some more and found that over at the Hugo Awards site, the category description adds this:

The type of works eligible include, but are not limited to, collections of art, works of literary criticism, books about the making of a film or TV series, biographies and so on, provided that they do not qualify for another category.

By “collections of art,” they seem to mean printed volumes of visual art — collections of music or other arts apparently need not apply. There is that magic “not limited to” phrase, though, and the award is no longer limited to printed books, having gone last year to the Writing Excuses podcast that some of my friends put together. The Wikipedia entry explains the history.

The award was originally titled the Hugo Award for Best Non-Fiction Book and was first awarded in 1980. In 1999 the Award was retitled to the Hugo Award for Best Related Book, and eligibility was officially expanded to fiction works that were primarily noteworthy for reasons besides their fictional aspects. In 2010, the title of the award was again changed, to the Hugo Award for Best Related Work.

Looking over the list of nominees and winners, it appears that science fiction and fantasy music — known in the community as “filk” — has never been considered as a “related work” for the purpose of the award. Which makes me wonder what would happen if enough fans put in nominations for music, since the Hugos are fan-based awards; since the award is no longer limited to printed works, would the Hugo committee honor those nominations, or would they disqualify them? Unfortunately, I don’t have enough fans to test that hypothesis in the manner of Larry Correia’s Sad Puppies Campaign.

So, strictly speaking, neither my album nor my songs would be considered “related works.” But if you decide to write in one of my songs anyway, let me know!

___
*Want to Nominate and Vote for the Hugo Awards?

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Want to Brainstorm about the Pegasus Awards?

Okay, music fans, what do you think the best SF&F music of 2013 was?

Pegasus Award Logo

The awards cycle has started for the annual Pegasus Awards, which honor science fiction and fantasy-related music. Unlike other awards, the Pegasus Award cycle begins with a wide-open “brainstorming” phase.

Pegasus Awards are given out in four permanent categories, as well as two categories which rotate from year-to-year:

  • Best Filk Song
  • Best Classic Filk Song — a song at least 10 years old that has “entered filk community public consciousness”
  • Best Performer
  • Best Writer/Composer
  • 2014 Rotating Category: Best Adapted Song — which can include adapting or parodying a mundane song or a filk song, but can also mean adapting a poem or book
  • 2014 Rotating Category: Best Song of Passage — which can relate to any kind of passage (e.g., passage to adulthood or some other life stage, travel, etc.)

Anyone who has an interest in filk — which, as noted, is science fiction and/or fantasy-related music — is considered part of the “filk community” and can participate in brainstorming possible nominees. The award by-laws define “exhibiting interest” using examples such as filking at SF&F conventions, attending filk conventions or “house sings,” taking part in related on-line forums, and just “discussing filk and filk related issues with other filkers.”

If you made it this far in this post, you can probably claim to have exhibited interest and therefore would be qualified to participate in the Pegasus Award process. So if you have a favorite you’d like to suggest, fill out the Brainstorming Poll Form. There’s only space for five suggestions in each category, but you’re allowed to fill out as many brainstorming forms as you like.

The nomination phase will start in the spring, and voting takes place in the late summer. The Pegasus Awards are awarded at (and administered by) the Ohio Valley Filk Fest in October.

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Another Panel for illogiCon: Baen Free Radio Hour

I got my final illogiCon schedule, and in addition to my other panels I get to be part of the Baen Free Radio Hour on Saturday afternoon!

The “Baen Free Radio Hour Live Q&A” will be a live recording of the Baen Books weekly podcast. The recording will take place at 2 p.m., right after my reading.

The other panelists will be Baen author and editor Tony Daniel, Baen author and “chief technologist” Mark Van Name, the “Chainmail Chick” Allegra, and Nebula (and other) award-winning author (and NC State professor) John Kessel. I’ve been on panels before with each of them, so it should be fun!

If you want to see what else is happening at illogiCon, check out the full program schedule.

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On Reaching the Ten Percent Point

All told, at the end of 2013 sales of my CD had reached the 10% point.


(Image by Paul Cory Photography.)

Ten percent of what? Ten percent of what it cost to write, record, engineer, produce, and market the thing.

I released the CD at the end of August, so it took 4 months to get to this point. If sales continue at the rate of 10% every 4 months — an optimistic estimate, since usually sales drop off after the initial surge — then it will take me another 36 months, or until January 2017, to break even on this project.

This, ladies and gentlemen, is what we refer to as a “labor of love.” Or sheer lunacy; take your choice.

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