Want to Nominate and Vote for the Hugo Awards?

The nomination period for the Hugo Awards opens this week, and you can still sign up to nominate and vote!

Hugo Award Logo

The Hugos are roughly equivalent to the People’s Choice Awards, in that the awards are determined by science fiction and fantasy fans rather than professionals in the field. The categories include Best Novel, Best Short Story, Best Related Work, Best Dramatic Presentation, and so forth.

Anyone with an Attending or Supporting membership in last year’s, this year’s, or next year’s World Science Fiction Convention can submit nominations. Supporting membership in this year’s Worldcon, Loncon 3 — to be held in London in August — run about $60 $40 (depending on the exchange rate), for which you receive electronic copies of nearly every nominated work, including portfolios from the nominated artists. Only members of the current Worldcon can vote for the Hugos, and you have until the end of January to join the convention in order to nominate and vote.

Anyway, even though this page says you can nominate now, the Loncon3 front page says the Hugo nomination period opens later this week, which seems to be the case since the nomination form wasn’t working as I prepared this blog post. In the meantime, you can find general information on this Hugo Awards page, and nomination-specific information here.

The nomination period closes at the end of March, but remember: if you want to nominate, you need to join Worldcon before the end of January!

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If You Come to illogiCon, This is What I’ll Be Doing

illogiCon, the Research Triangle area’s science fiction and fantasy convention, will convene next weekend for its third installment.


(The illogiCon mascot, “Professor Schrodington.”)

Subtitled “The Search for Schrodington’s Gold” in honor of its mascot, pictured above, illogiCon is a small, fan-run convention being held here in Cary at the Embassy Suites Raleigh-Durham/Research Triangle. The guests of honor this year are my writing friends Mary Robinette Kowal and Lawrence M. Schoen, and many of my other writing friends will be part of the convention, too.

I’ll be on several panels, and will also present a reading (which in my case is always a “singing,” too):

Friday, January 10th

  • 4:00 PM — Our Cyborg Futures…Today! Paralyzed veterans are now starting to test exoskeletons that allow them to walk again. Robotic hands are becoming more nimble, robotic legs more responsive and balanced. On a more subtle level, smartphones today can augment human brains and bodies in fundamental functions such as managing hunger and sleep, and expand intelligence in ways unimaginable just a few decades ago. Are we living in the dawn of the age of machine-men? (With James Maxey and Justin Andrews.)
  • 9:00 PM — Lies With Words: The panelists are given a list of obscure and/or obsolete words in advance. All but one of them composes a false definition of the word, long or short, simple or complex, as they please. One panelist has the true definition. Can the audience tell which is which? Points are Awarded to each panelist for every audience member who buys into his/her lie. (Hosted by Lawrence M. Schoen. Other panelists: Mark Van Name, Michael Williams, Ed Schubert, and Bill Ferris.)
  • 10:00 PM — Open Filk

Saturday, January 11th

  • 11:00 AM — A Million Nations:: There was a time when where you lived was the primary determining factor of the culture you were raised in. But with the interconnectivity of the modern era, many of us get to build virtual neighborhoods of friends to socialize with online while never needing to bother with learning the names of people living next door in the real world. Is there anything resembling a common culture anymore? Or do we face a future of ever increasing cultural fragmentation as humanity sorts itself into a million different segments, all with differing values, myths … and even facts? (With James Maxey, Samuel Montgomery-Blinn, and Ed Schubert.)
  • 12:00 PM — Social Scientists’ Science Fiction: There’s no shortage of science fiction written by authors with Ph.D.s in the “hard sciences” (biology, chemistry, physics), and their expertise show up in everything from world building to alien physiology. But what about authors with doctorates in Psychology, Sociology, Anthropology, Linguistics, Economics, and so on? Is the SF experience redefined when it comes from social scientists instead? (With Lawrence M. Schoen, Samuel Montgomery-Blinn, Michael Williams, and Bill Ferris.)
  • 1:00 PM — READING … and singing!
  • 5:00 PM — Baen Books Travelling Roadshow: Come find out whatʼs new from Baen Books. There will be an exploding spaceship.
  • 11:00 PM — Open Filk

Sunday, January 12th

  • 10:00 AM — Hard SF vs. Soft SF: From near-future thrillers so hard they could cut diamonds to allegories less-than-concerned about literal realism, science fiction covers a broad spectrum. How do they play together in the genre of ideas? (With Metricula and Samuel Montgomery-Blinn.)
  • 5:00 PM — New Trends in Speculative Fiction: Speculative fiction often rides on the next big thing — the New Wave, Cyberpunk, Steampunk, Urban Fantasy, the Singularity, the New Weird. Where are we headed right now? Are there undiscovered movements just waiting for their central works? (With Samuel Montgomery-Blinn, Ada Milenkovic Brown, Bill Ferris, and Natania Barron.)

So if you’re in the Research Triangle area next weekend, and you need to get your fantasy and science fiction fix, stop by and see us!

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On Reaching the Ten Percent Point

All told, at the end of 2013 sales of my CD had reached the 10% point.


(Image by Paul Cory Photography.)

Ten percent of what? Ten percent of what it cost to write, record, engineer, produce, and market the thing.

I released the CD at the end of August, so it took 4 months to get to this point. If sales continue at the rate of 10% every 4 months — an optimistic estimate, since usually sales drop off after the initial surge — then it will take me another 36 months, or until January 2017, to break even on this project.

This, ladies and gentlemen, is what we refer to as a “labor of love.” Or sheer lunacy; take your choice.

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The Social Peril of Asking a Difficult Question

So, I was “unfriended” by someone on Facebook yesterday.

facebook like button

Those readers who have dealt with me on the Book of Faces probably aren’t surprised, since I can be even more of a jerk online than I am in real life. But it took me by surprise.

A little context: The gentleman (whom I like and am happy to consider a friend, though I suppose it’s more like we’re just acquaintances now) posted a graph showing an international comparison of the U.S. and a couple dozen other rich nations. He didn’t originate the graph, he “shared” it, so I was surprised by his reaction when I questioned the mathematical choices of the people who put it together.

(As an aside, I should explain that it seemed to me that the graph was contrived to make the U.S. look bad, since we were next-to-last in the select group of nations. I withheld that judgment. I also had questions about the actual data presented, including what operational definitions had been used and whether they were consistent across all the nations represented; from research I’ve done, I understand this can be a problem with international comparisons.)

I was most curious about why the researchers had selected “50% of the median household income” as the cutoff point for the comparison. Knowing the median value of a data set — the middle value when all the data are arranged in ascending order — can be useful, but less so when the mean (the arithmetic average) is not presented, but I wondered specifically why 50% of the median was significant.

So I asked the question. I didn’t phrase it as a question, which was probably a mistake; instead, I said something along the lines of “someone will need to explain to me why it makes sense to use 50% of the median.”

What followed was a confusing illustration of the fragile bonds of social media.

My correspondent posted a couple of links purported to show that the value in question was some kind of standard for defining poverty. Even if that were true — I eventually found other references that showed alternative values — one of the references had nothing to do with median income, and neither explained the rationale behind selecting the specific fraction of the median.

So I asked the question again — and in the form of a question this time. I asked why 50% of the median was selected, as opposed to 50% of the mean, or 50% of the mode, or some other percentage of the median. I hoped that someone who saw the exchange might be able to answer the question.

Instead, the next time I tried to look at the thread I found that I no longer had access to it. Following up, I discovered that he had terminated our FB friendship.

Surprised at his reaction, I contacted him off-line — because I’m just that kind of jerk — and apologized if I had offended him. The details of our subsequent exchange are unimportant, but suffice it to say that I got the impression that he had grown tired of my questioning (let alone challenging) sources he considered unassailable.

I wondered, in all of this, about my own motivation when posting particular news items or research results. Do I do so for the “echo chamber” effect, to collect “likes” and positive comments from friends who think the way I do? If I claim to do it in hope that it might educate or enlighten friends who think differently, am I fooling myself? Do I really post such things for the “poke ’em in the eye” effect? And, no matter my motivation, should I be surprised that provoking thought might lead to provoking responses, including responses that disagree with my own?

I am still disappointed that my question about the statistic wasn’t answered, and my own brief research into the matter hasn’t been very enlightening. But I’m even more disappointed that asking the question wasn’t met with a simple, “Hey, I don’t know, you’ll have to ask someone else” but instead was given the coldest of shoulders. Because if we can’t ask questions and engage in a sincere give-and-take, how can we expect to learn?

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Welcome 2014! Looking back and looking forward …

Last year was … strange … but in a good way!


(This New Year, too, will eventually be washed away. Image from MyrtleBeach.com’s Facebook feed.)

I had three stories published in 2013:

And, of course, I released my album, Truths and Lies and Make-Believe, in August. (If you haven’t bought a copy yet, the download is $7 and the physical CD is $10.)

So far I have one story slated for publication in 2014: “Lightweaver in Shadow,” which will be part of the Shattered Shields anthology edited by Jennifer Brozek and Bryan Thomas Schmidt. It will come out from Baen Books in November.

I need to finish editing another story that’s been provisionally accepted, and I’ve got other songs in work that may eventually be part of another album. Here’s looking forward to another creative year!

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What Media Bias? This Media Bias

CAUTION: Political Post Ahead.

The pro-Obamacare slant in major media came home to Raleigh, NC, this week.

The local CBS affiliate, WRAL-TV, aired a story — Some have success signing up for health coverage online — that chronicled how a self-employed graphic designer who had a $176 per month insurance plan got a new plan “on HealthCare.gov with the help of a federally trained navigator.”

Without going into the question of why Internet-savvy people (who can presumably purchase all manner of goods on commercial websites) would need a “navigator” to guide them through the Federal health care maze, let’s get to the obvious spin WRAL put on the story.

The lady’s original plan, which she categorized as “bottom of the barrel” (whatever that means; no specifics were offered on the plan’s supposed deficiencies or how long she had been dissatisfied with it), was replaced with a better one:

She took about a week to compare plans and enrolled in one that provides better coverage than her current plan. With federal subsidies, her monthly premium for her new insurance will be $91 a month – a 48 percent decrease.

In case you missed it, the bias comes by way of the quickly passed-over phrase, “with federal subsidies,” in the information that’s missing about how much the new plan costs and how much the subsidy is. That information is not in the audio or the transcript, but it shows up on screen at about the 1:30 point, as seen below:


(Screenshot of the WRAL-TV story.)

From this we see that the premium on her new, Obamacare-approved policy is actually $344.46 per month, nearly twice what she was paying before. We might hope this new policy would be better than the one she had, if it costs that much more.

But she’s only paying $91 and change for that policy, because the silent graphic shows that over $250 of that monthly cost is listed as a “premium tax credit.” That’s more than her original policy cost, for an annual total of over $3000, paid by the enforced generosity of the U.S. population and the borrowing habits of the Federal Reserve.

Remember, this was a “success story” in the eyes of WRAL: not what I often hear touted about an uninsured person or someone with a preexisting condition getting coverage, but that someone who had health insurance and was paying for it on her own has now been forced by law into dependence on the government. Yet in preparing their approved narrative, they chose not to call attention to those facts.

I thought I felt a breeze, that story spun so fast. But I’m a failed engineer, so what do I know about journalism?

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I’ll Have a Story in an Upcoming Baen Books Anthology

The press embargo lifted yesterday! I’m excited to announce that my short story, “Lightweaver in Shadow,” will appear in the Shattered Shields military fantasy anthology coming out from Baen Books.


(Gray is going to be a Baen author!)

Editors Jennifer Brozek and Bryan Thomas Schmidt put together the anthology, and I was thrilled to learn that they selected my little story — first, because I still get excited when any of my stories are accepted for publication, and second, because this means that I will soon enough be a Baen author! After being connected to Baen as the “Slushmaster General” for the past few years, to have one of my stories picked for a Baen anthology feels terrific.

The anthology will be released as a trade paperback in November 2014, and the full Table of Contents features some wonderful authors:

  • Introduction by Jennifer Brozek and Bryan Thomas Schmidt
  • “Ashes and Starlight,” a Runelords story by David Farland
  • “The Fixed Stars,” an October Daye story by Seanan McGuire
  • “The Keeper of Names,” by Larry Corriea
  • “The Smaller We Are,” by John Helfers
  • “Invictus,” by Annie Bellett
  • “Rising Above,” by Sarah A. Hoyt
  • “A Cup of Wisdom,” by Joseph Zieja
  • “Words of Power,” by Wendy N. Wagner
  • “Lightweaver in Shadow,” by Gray Rinehart
  • “Hoofsore and Weary,” by Cat Rambo
  • “Vengeance,” a Frost story by Robin Wayne Bailey
  • “Deadfall,” by Nancy Fulda
  • “Yael of the Strings,” by John R. Fultz
  • “The Gleaners,” by Dave Gross
  • “Bonded Men,” by James L. Sutter
  • “Bone Candy,” a Black Company story by Glen Cook
  • “First Blood,” a Paksenarrion story by Elizabeth Moon

 

Since my story holds down the middle slot, I expect it’s the weakest of the bunch — but it made the cut! That’s good enough for me.

I’ll post more information as we get closer to the release date.

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Giving Thanks, With a Grateful Heart

I am thankful for so many people, so many things, that at times I’m quite overwhelmed.

At times I wish I could show my gratitude with the exuberance and whimsy of this cartoon:


(From the “Lunch” series by Christopher Rinehart. Used in hope of eventually getting permission.)

Alas, I am not as whimsical as I might wish to be.

But whether I am serious or silly, if I spent every minute of every day doing nothing but expressing thanks I suppose I could never run out of thanks to give — because each thought, each recollection, brings another and another to mind. And so I try to start and end each day with thanks for my family, my friends, my opportunities and achievements as well as my challenges, summed up in the simple, full-of-wonder phrase, “Thanks be to God.”

May you and yours feel blessed on this Thanksgiving Day, and every day.

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Are You an Amazon Reviewer? ‘Truths & Lies (etc.)’ is Now on Amazon!

Even if you’re not a frequent reviewer of things on Amazon, I would be much obliged if any of you who have heard the album would at least consider posting a review of it.


(Image by Paul Cory Photography.)

If you don’t have the time or inclination to review it, that’s okay! You would still have my undying gratitude if you just pointed people to it. Feel free to send the link to any and everyone: Truths and Lies and Make-Believe, on Amazon.

And not to leave out my friends in the United Kingdom: You can also find Truths and Lies and Make-Believe, on Amazon UK.

Tell your friends! Or tell your enemies!

Thanks!

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The Appleseed Collective

Last week I ventured into downtown Raleigh for an evening of music featuring my nephew, Ben Rolston, and the band he recently joined.


(Four-fifths of The Appleseed Collective, playing at Tir na nOg in Raleigh.)

Raleigh is a far piece from The Appleseed Collective‘s hometown of Ann Arbor, Michigan, but they had stopped in on the homeward leg of a tour through the southeast. Described as mixing “the Hot Club of Paris with the sweaty soul of Dixieland, a couple blades of bluegrass, a pinch of ragtime beat, and a western swinging swagger,” the band put on a terrific show at Tir na nOg Irish pub.

As their web site notes,

Everybody brings something fresh to the table. Upon returning from a trip to New Orleans, guitarist Andrew Brown had a song in his heart that just wouldn’t quit–when a chance meeting introduced him to Brandon Smith, violinist and improvisation enthusiast, Andrew knew he’d found the Stephane Grapelli to his Django Reinhardt. Vince Russo, percussionist and van-packing expert, speaks freely and cleverly with each clack of the washboard or ding of the short-order cook’s bell. Katie Lee brings a vocal range that is a force to be reckoned with. It’s angelic one moment and powerhouse the next, all complemented by twinkling banjo melodies. And the addition of double bassist Ben Rolston to the mix delivers a level of musicality and jazz sophistication that sends hearts a-flutter.

Here’s a video of them performing one of the songs from their Baby to Beast album:

I got to catch up a little with Ben before the show, and in all had a great time. Check out The Appleseed Collective, or if you prefer more improvisational jazz, check out Ben’s solo album, Fables.

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