Excerpt from a 4th of July Speech

Ten years ago, I was the speechwriter for the Acting Secretary of the Air Force, the Honorable Michael Dominguez. And ten years ago today, on 4 July 2005, he spoke on behalf of then-President George W. Bush at the “Let Freedom Ring” event in Philadelphia.

During the ceremony, Mr. Dominguez was among the first to ring the “Normandy Liberty Bell,” a replica of our Liberty Bell commissioned by Frenchman Patrick Daudon for the 60th anniversary of the D-Day landing. The Philadelphia ceremony was the first time the bell was brought to the U.S. (As seen below, it is now on display at the National World War II Museum in New Orleans.)

Normandy Liberty Bell
(The Normandy Liberty Bell. Photo by Susannah Clary, on Flickr under Creative Commons.)

Mr. Dominguez spoke only briefly, and it was the first and only time one of the people I wrote for was directly representing — essentially, standing in for — the President. For the sake of my own sense of nostalgia, and to mark this Independence Day, here’s an excerpt from the remarks we prepared:

Whenever and wherever freedom rings, the world must take note.

The world took note when the Allies stood together against tyranny and aggression in two world wars.

The world took note of the Civil Rights and Women’s Suffrage movements, when we extended the self-evident truths of the Declaration — that we are all created equal — to those who had been treated unequally for so long.

The world took note when Afghani and Iraqi citizens voted in free elections.

And in the future, as freedom continues to ring through all nations, tribes, and tongues, the world will continue to take note.

I didn’t attend the event, so I don’t know if Mr. Dominguez actually used the prepared remarks — we learn quickly as speechwriters that what we prepare is often a guide and sometimes just a suggestion! And while the words are not stirring enough to go down in the annals of oratory history, I think they were at least fitting for the occasion.

And for this occasion, I can only add: Happy Fourth of July! And thank-you to all of our troops serving at home and abroad, ensuring that we as a people remain free and independent.

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Next Weekend: ConGregate 2, ‘Scoundrels and Rogues’

If you’re in the vicinity of High Point, North Carolina, next weekend, come out and see me and many of my science fiction and fantasy friends!


(The ConGregate mascot, Greg-8.)

ConGregate will run July 10-2, and features Timothy Zahn and Michael Stackpole as Writer Guests of Honor. I’m very pleased that the convention is allowing me to return as a guest, and I’m going to be plenty busy!

On Friday, I’ll barely have time to breathe:

  • 4:00 p.m. — Signing — come by and snag a CD or a copy of my story!
  • 5:30 p.m. — Reading — audience choice of what I’ll read, plus I always sing at least one song
  • 6:30 p.m. — Workshop, “Beyond the First Draft” — 2 hours of intensive editorial discussion
  • 8:30 p.m. — “HollyWeird Squares” — fun and games, and hopefully a few laughs!

On Saturday, I’ve got several more events:

  • 10:00 a.m. — Signing — come by again, even if just to say hello!
  • 11:00 a.m. — Baen Books Traveling Road Show — art, previews, and free books!
  • 2:00 p.m. — “Filk and Cookies” — featuring songs for children (believe it or not)
  • 9:00 p.m. — Panel, “Ask an Editor” — and maybe an editor will answer
  • 10:00 p.m. — Open Filk — all welcome to play, sing, or just listen!

And Sunday I get to rest:

  • 12:00 p.m. — Panel, “Engineering by Government Bureaucracy” — your tax dollars at work (so to speak)

If you’re going, I hope you’ll stop by and chat. If I’ve already told you about my new CD, Distorted Vision, coming out later this summer, I’ll be happy to tell you more! You can snag a copy of my InterGalactic Medicine Show story, “Ashes to Ashes, Dust to Dust, Earth to Alluvium,” or my first album, Truths and Lies and Make-Believe, or even “Another Romulan Ale” and “Tauntauns to Glory” bumper stickers — and, of course, you can also sign up for my newsletter to get the latest info on my different projects.

And whatever you do, have fun doing it!

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Halfway to the Hugos

For the most part, I’ve stayed out of the near-constant sniping that has characterized the run-up to this year’s Hugo Awards. (I’ve even tried to ignore it, but to no avail.) I’m caught up in it by virtue of my nominated story first being included on the “Sad Puppies” recommendation list, and if you don’t know what that is then I hope you consider yourself lucky.

After posting a few items in the early days of the controversy, I retreated to the fringe of the issue rather than stomping around in the middle of it — except when convention planners (cough, cough … ConCarolinas) put me on panels designed to dredge up the matter. Thankfully, those have come off with courtesy and even respect, two qualities I have missed in much of the debate.

But since we’re at the halfway point between the Hugo nominations announcement and the Hugo Awards ceremony itself, it seems like a decent time to add a few new observations and thoughts.

Note that I do not intend to try to change anyone’s mind. I get the impression that this feud is so rancorous because both sides genuinely love and appreciate genre fiction — science fiction and fantasy in all their various forms — and I consider it a shame that different viewpoints on it have devolved into such deep divisions. I only want to make, for the record, a few hopefully coherent remarks.

To aid the casual reader, here’s what I plan to cover in this overly-long post:
– My disappointment, but also my ambivalence, at the way things have been characterized
– The metaphor I’ve most recently developed to describe the situation I’m in
– Some Scripture verses I am trying to hold on to as this process unfolds
– My regret at being unable to attend the upcoming ceremony
Forewarned is forearmed. Now, knowing what’s coming, if you don’t want to read the rest that’s perfectly fine.

Hugo Award Logo

(This is what the fuss is all about.)

Unfortunate Characterizations. Some of the criticism that has arisen in the aftermath of the Hugo Award nominations has reflected disappointment at the way the nominations unfolded; that’s not too surprising, as reviewers and other commentators are only human. But some of the criticism has extended beyond the work, to include ad hominem attacks that only stoke the fires of righteous indignation.

People familiar with the controversy likely don’t need to be reminded of the kinds of things that have been said on both sides of this divide. In the same way that civil wars and other internecine strife are often the harshest of conflicts, the acrimony has been thick and the poison pens have yet to run out of ink.

Suffice it to say that various people, in various places, have characterized the “Sad Puppies” ringleaders and their “Rabid Puppies” counterparts — as well as those of us whose works were nominated — in … uncharitable terms. Words like racist, misogynistic, homophobic, and even neo-Nazi have been bandied about. Likewise, strong and often unduly harsh language has been used against those on the “anti-puppy” side, i.e., toward those on the side of the Hugo Award traditions and WorldCon fandom. Both of these are unfortunate, and I hope I have not contributed to the incivility. (That may be the primary virtue of being relatively unknown, and deliberately quiet.)

I find the practices of name-calling, threatening (even if only implied), and heaping scorn and vulgarity on one another to be extremely disappointing. I will leave it to those who feel hurt in the exchanges to address any accusations that have been made against them, as I do not intend to engage in any comparative analysis of who said what, when, to whom, about whom, and whether one slur or accusation was worse than another.

I will, however, say this: I find myself somewhat ambivalent about the possibility that people I do not know might characterize me in unfriendly terms, whether directly or through guilt-by-association. The fact is that most of the commentators do not know me, personally or even by reputation, and their reports can hardly be taken as reliable. I admit that I am somewhat concerned that other people, potential fans or potential friends who read such things, could come away with a false impression; however, I am confident that those who know me, who have interacted with me on a personal basis, will not be fooled into believing falsehoods about me.

I believe in the right of every person — particularly every U.S. citizen, since the right is enshrined in our Constitution, but really every living soul on the planet — to free speech. I believe that right, like all rights, carries with it certain responsibilities, and that when those responsibilities are abandoned the right can be curtailed. I believe we should exercise that right with care and compassion, and that where we fail to do so we may expect consequences and even repercussions.

And in that belief, I say: If I have been uncharitable in how I have characterized anyone on either side of this issue, or if in some other way I have failed to exercise my First Amendment rights responsibly, I apologize to anyone I may have hurt.

My Hugo Experience, in Metaphor. I’ve shared this a few times in one-on-one conversations, and once in a convention panel, but I may as well put it out here as long as I’m up on my virtual soapbox. Like members of Congress, I’ve revised and expanded my original remarks.

My new metaphor is …

Back in January, I was offered a “Sad Puppies” seat — economy class and “bring your own lunch” all the way — on a Hugo Awards flight. During a layover, some folks with “Rabid Puppies” seats embarked, and some of our SP tickets were stamped with RP as well.

When the plane landed in Nomination City, some of us were surprised, because we expected to land in Passed-Over-Ville. (Every other time people have told me they nominated one of my stories, I haven’t even made the post-award long list, so I didn’t expect this time to be any different.)

It seemed that the plane had been hijacked. When the flight subsequently took off from Nomination City, en route to Hugotown, the reaction to the hijacking was loud and angry. Some passengers snuck off the plane during the Nomination City stop, and a couple bailed out later; I’m not sure yet if their parachutes worked, if they made safe landings, or if anyone has picked them up out of the wilderness. I hope they’re okay.

The more it looked like a hijacking, the more some people on the ground talked as if they wanted to shoot down the plane; some of them seem determined to do so, even if only with their own personal weapons. Just as worrisome, some of the hijackers have talked as if they want to crash the plane in the middle of Hugotown. My fellow passengers and I are left to wonder if there’s anything we can do to improve our chances of survival.

I’ve been in touch with my friends, both inside and outside the community of fans, throughout the ordeal. Those who contributed to my ticket or who like my work or who support me personally almost all told me that they want me to stay aboard, and ride it out. One person advised me to bail out, parachute or no. Outside my relatively small circle of family and friends, from what I can tell quite a few spectators are glued to their computer screens, watching every agonizing minute of the event; I don’t know if they care a whole lot what happens to me or the other passengers.

As for me, it’s been a pretty turbulent ride and the storms are still raging. I just want the plane to land, so I can get off and go about my business.

Like any metaphor, this one has its weaknesses; but it’s the best I’ve been able to come up with, so I’m sticking with it for now.

Some Scripture I Consider Relevant. I don’t know if you adhere to any religious beliefs, but I do. Specifically, I’m a Christian. I won’t preach at you, though; if you’re ever interested in what I believe and why, just ask.

That said, I have been trying very hard to apply some specific Scriptures to my Hugo Award situation, and particularly to how I relate to people on all sides of the debate. Among others, I am trying to live up to these, all of which are paraphrased:

  • Let your speech be full of grace, seasoned with salt, so you know how to answer everyone. (Colossians 4:6)
  • Speak the truth in love. (Ephesians 4:15)
  • Do nothing out of rivalry or conceit, but in humility consider others better than yourself. (Philippians 2:3)
  • “If someone strikes you on the right cheek, turn to them your left cheek as well.” (Matthew 5:39, the words of the Lord)
  • “Love your enemies, bless those who curse you, do good to those who hate you.” (Matthew 5:44, the words of the Lord)
  • Do not pay back anyone evil for evil. (Romans 17:21, 1 Peter 3:9)
  • Insofar as it depends on you, live at peace with all people. (Romans 12:18)

And, perhaps more difficult than any of those, these cautions from the brother of the Lord (James, chapter 3, also paraphrased):

… we all stumble in many ways. If anyone does not stumble in what he says, he is a perfect man, [but] the tongue — a small part of the body, and yet it boasts of great things — is a fire, the very world of iniquity…. No one can tame the tongue; it is a restless evil and full of poison. With it we bless our Lord and Father, and with it we curse men, who have been made in the likeness of God…. Brothers, this should not be….

Who among you is wise and understanding? Let him show by his good behavior his deeds in the gentleness of wisdom. But if you have bitter jealousy and selfish ambition in your heart, do not be arrogant and so lie against the truth…. For where jealousy and selfish ambition exist, there is disorder and evil. But the wisdom from above is pure, then peaceable, gentle, reasonable, full of mercy and good fruits, unwavering, without hypocrisy.

I encourage anyone who holds to the same creed I do to consider whether they might apply these and other verses to help them maintain an even keel in the storm of rhetoric, and possibly to better represent the One to whom we owe our ultimate allegiance.

Wherever I have failed to live up to these admonitions, it is my fault alone. It always is. And at least my failures will continue to be mostly private, since

Unfortunately, WorldCon and the Hugo Awards Ceremony Are Out of My Reach. I’d like to visit Spokane in August for WorldCon, but at this point the likelihood is miniscule.

You might think I’d rather avoid WorldCon, and thereby avoid all the drama. I admit that sounds pleasant, but the drama would find me whether I’m present or not. And I would like to see my friends, on both sides of the debate — and possibly make new friends. I’d like to meet new people, become better acquainted with people I’ve only met once or twice, and hopefully convince some of them that I am a flesh-and-blood human being, neither a wild-eyed zealot nor a bug-eyed monster.

I’d probably spend a good deal of time in the filk room, anyway. Hopefully I wouldn’t be as intimidated as I was at WorldCon last year.

But, alas, between a higher-than-expected tax bill earlier this year, the production costs of my new CD, and the need to plan for some very special upcoming expenses, I don’t envision having the resources to attend WorldCon unless a whole bunch of people suddenly start buying copies of my album. (Don’t get me wrong, that would be fine by me and you can do so right here; but I don’t see it happening.)

Some Closing Thoughts. Whenever we value something highly, when we have invested time or treasure in it and derived some reward (however intangible) from it, and that thing is threatened in some way, we rightly resent and are justified in trying to defend against the threat. That is true whether we are talking about our families and friendships, our homes and personal property, our reputations, or institutions with which we identify. I think sometimes we forget that others have the same right, to defend those things which they value.

Based on that, I understand the impulse on the part of longtime WorldCon participants and serious fen to protect the institution and its flagship award. I understand that barbarians storming the gates, brazenly and with unexpected success, is frightening and naturally foments resentment and anger.

I choose the barbarian example deliberately. Outsiders are labeled barbarians not because that is what they call themselves, but because their language is incomprehensible to the insiders — to the refined ears of the citizens it sounds like “bar-bar-bar” (which among science fiction convention-goers is not, in itself, damning). But the outsiders do have language and culture, however strange it may seem to the citizens: from their own point of view they are not barbarians but Goths, Visigoths, or Ostrogoths; Celts, Huns, or Vandals.

This year’s Hugo-nominating barbarians, unlike historical tribes characterized as such, brought alms with which they gained entry into the city and bought their citizenship: the $40 Supporting Membership. And they brought their own opinions — perhaps studiously formed, perhaps informed or even influenced by others — which they expressed in the nomination process. They joined the community, but some of the original citizens still see them as barbarians, as outsiders, and seethe. I understand that, and I have seen the results in some of the reviews and comments about my own nominated story.

So I offer this: Reading should be a pleasure and a joy, and if any Hugo Award voter is upset at the way my novelette wound up on the ballot and has not read it yet, I encourage them and give them my full permission to ignore my entry completely.

Let me reiterate, and emphasize, that if the manner in which my story was nominated gives you any ill feelings, from the slightest nausea all the way to migraine-inducing rage, please do not read my story. Skip over it in the Voter’s Packet, pretend it doesn’t exist, and with my full blessing vote “No Award” in its place.

Our brief lives have limited joys, and I do not want to steal anyone’s joy for any reason. If reading my story will be more burden than blessing, set it aside and read something that is likely to please you. Pick a story that will engage you without setting your teeth on edge. Maybe in a month, or a year, or ten, you can return to my story and read it dispassionately and extract from it some small something of value. But even if not, if you never feel free from the 2015 Hugo Awards controversy and so choose never to read my story, that’s okay; at least it will not have added to your distress. I will content myself with knowing that a few people, at least, who read it have liked it.

For my part, I will continue to hope for the ire and indignation to wane, and for the firestorm to burn itself out without consuming the village. Or, if you will, for the plane to land so we can disembark.

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How Much Do We Value Loyalty?

This blog entry is about sports, and more than sports.

This past week, my alma mater announced that our Hall of Fame coach (American Baseball Coaches Association HOF, to be exact) would no longer be leading our team. Jack Leggett, who coached the Clemson Tigers to the NCAA Tournament in 21 out of the past 22 seasons, will not be allowed to serve out the last year of his contract. He was not fired for coaching the team to a losing season; if anything, the team’s turnaround to avoid a losing season against a difficult schedule, and its reaching the NCAA Tournament at all, were quite remarkable. Nor was he fired for any misconduct, or misuse of resources. But he was fired nonetheless.

Clemson baseball team c1903
(I like how this picture captures the long tradition of Clemson University baseball — that’s Coach John Heisman, back row center. “Clemson baseball team, c. 1903,” from clemsonunivlibrary, on Flickr under Creative Commons.)

I recognize that the baseball program had not been as consistent in recent years as it has in the past, and that many fans were unsatisfied with its results. Most of us are unsatisfied when our teams — whether sports or corporate or political — don’t perform as well as we think they should. But I do not understand how otherwise reasonable people, who in their daily lives accept the ups-and-downs, setbacks and struggles they encounter, can act as if they expect coaches and teams to win every game.

After reading earlier in the week that Coach Leggett’s job might be in jeopardy, on Wednesday — the day before the announcement was made — I wrote a note to Clemson’s athletic director, Dan Radakovich, to say that I, for one, thought we should show loyalty to Coach Leggett commensurate with his long record of service to the university. I’m sure my message was one of many that Mr. Radakovich received over the past few months, with all manner of advice on how to proceed with the Clemson baseball program. I hope a significant portion, like mine, was supportive of Coach Leggett — not that it made any difference in the long run.

And it seems there was more at stake than simply the wins and losses. According to the TigerNet.com report on Mr. Radakovich’s Thursday press conference, Coach Leggett’s loyalty to his staff may have played a part in his own downfall:

Earlier reports hinted that Leggett refused to make changes to his staff … and Radakovich was forced to make the move to dismiss Leggett. Radakovich didn’t confirm that move but did hint at it.

Subsequent reports seem to corroborate that Coach Leggett’s refusal to fire members of his staff led to his own ouster. He might have been able to save his own job, had he agreed to sacrifice his assistants, but he chose to stand firm on their behalf. That is loyalty.

I would have preferred if we had kept Coach Leggett at Clemson, and given him the support needed to continue his record of success and take our program as far as it could possibly go. I would have preferred if we had let him decide when it was time to retire from the game, and that we had taken the opportunity at that point to honor him, celebrate his accomplishments, and give him a send-off worthy of a Clemson Tiger. It was not to be, but I wish him well, and thank him for all he did for our school and our student-athletes.

I am left to wonder if perhaps loyalty and commitment don’t mean as much today as they used to. But they still mean something to me.

___

One further observation:

In Mr. Radakovich’s press conference, he talked about the qualities he would seek in a replacement. He said he didn’t have an “exhaustive list,” but he rattled off a quick set of traits:

You want to have someone who has shown the ability to lead, to win games, to recruit quality student athletes, to be a great representative of Clemson.

It seems to me that Jack Leggett had accomplished all four of those things — leading, winning, recruiting, and representing Clemson well — for 22 seasons. In other words, we need not have looked beyond our own campus for the kind of coach we apparently want.

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Heading to ConCarolinas

Are you going to the convention this weekend? I am. Not too long after posting this, in fact.


(Love this badge logo from the 2010 ConCarolinas, by Bob Snare.)

ConCarolinas is always a great convention — “science fiction, Carolina style” — and this year it’s moved into a new facility in Concord (just north of Charlotte). My schedule on Friday is wide open, so after I set up my merchandise table I plan to drop in on a panel or two and eventually join the filk circle!

On Saturday, I’ve got several panels and events:

  • 10:00 a.m. Panel — Editors and Agents
  • 11:00 a.m. — Baen Books Traveling Road Show
  • 5:30 p.m. Panel — What’s An Award Worth?
  • 7:30 p.m. Panel — The Short of It
  • 11:30 p.m. Panel — The Problem of the Controversial

Sunday:

  • Early a.m. (usually 9:00) — Fans for Christ worship service — I’ll be leading the singing
  • 4:00 p.m. Panel — Do I Need A Writing Group?

If you’re going to the con, stop by and see me! I’ll tell you whatever you want to know about my new album, Distorted Vision, coming out this summer; you can sign up for my newsletter to get the latest info; you can snag a copy of my InterGalactic Medicine Show story, “Ashes to Ashes, Dust to Dust, Earth to Alluvium”; and of course you can also pick up a copy of Truths and Lies and Make-Believe as well as “Another Romulan Ale” and “Tauntauns to Glory” bumper stickers.

And if you’re not going to the convention, then I hope you have fun this weekend with whatever you get to do!

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Amazon Rankings and the Power of a SINGLE Sale

Back in late February, Larry Correia included the Amazon listing for my album in the “book bomb” he orchestrated to generate interest in stories that he and Brad Torgersen recommended for Hugo Award consideration. (For more on how the latter turned out, read this.)

CD Sale
(“CD Sale,” by Jake Johnson, via Flickr under Creative Commons.)

The purpose of Larry’s frequent “book bombs” is to encourage people to buy an author’s work, and in particular to buy it on Amazon because improving a book’s ranking generally makes it more visible to additional prospective customers. Products with higher rankings show up more often in searches and the Amazon system selects them more frequently as recommendations. The idea behind the book bombs is two-fold, then: first, to help authors get paid for their work, and second, to put them in a better position to keep getting paid.

Anyway, since the only thing I had available for sale was my album, Larry included it along with other people’s books, which I appreciated very much. The results were curious to me, though.

Because of the plug I sold a grand total of one physical CD, and no electronic music, but my Amazon sales ranking improved by nearly a million-and-a-half places! Indeed, it hit unheard-of heights (for me) and now, nearly three months later, is still ranked far better than it was to begin with.

I don’t have the exact figures for the earliest rankings, because I wasn’t paying close enough attention, but here’s what I remember (I’ve rounded these to two significant digits):

Date — Sales Rank
02/23 — 1,500,000
02/25 — 30,000 — because of ONE CD being ordered
02/27 — 60,000
03/04 — 200,000
03/17 — 360,000
05/06 — 840,000

I don’t know about you, but that much movement based on one sale seems a little crazy to me. Imagine what would have happened if two people had ordered my CD! It might suddenly have become a bestseller. Of course, it could just indicate how few CDs are ordered from Amazon on any given day.

I don’t know if the book rankings bounce around so much, but it seems apparent that if you ever buy things on Amazon — even single things! — you wield a great deal of power.

While we’re on the topic of Amazon, another tidbit you might not know: Reviews affect search results, too. My little CD doesn’t have any reviews there (and precious few elsewhere), so if you’ve got an Amazon account and a few spare minutes, it would be awesome if you’d bounce over to the Amazon page and post a little review. Just a few words about your favorite song, even with only a moderate rating, would make a huge difference.

Amazon is, of course, the biggest kid on the block when it comes to online shopping. But I’ll let you in on a little secret: when people buy my album from Bandcamp, they pay less and I make more money. (You have my permission to share that little secret with anyone who might appreciate the album or the bargain.)

But, regardless of whether you tell anyone about my music; regardless of whether you leave a review on Amazon or anywhere else; regardless of whether you’ve even heard any of my songs or read any of my stories; and regardless of whether you keep up with my nonsense or just popped in here for no particular reason, you have my sincere thanks just for reading this blog post.

If you take nothing else away from this, know these two things: I appreciate you being here, and you have more influence on the success of independent writers and artists than you probably realize. But with great power comes great responsibility, so use your power wisely!

___
P.S. Yes, this is another post adapted from a newsletter article. That’s just the way it goes.

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Last Day for Pegasus Award ‘Brainstorming’ — Poll Closes Tonight

If you haven’t already submitted your ideas for what songs, composers, and performers should be considered for the Pegasus Awards for excellence in filking, you have until early Friday morning to do so!

Pegasus Award Logo

Unlike other awards, the Pegasus Award cycle begins with a wide-open “brainstorming” phase. (In this respect, the Hugo Awards may have something to learn from the Pegasus Awards; but, I digress.)

The Pegasus awards honor science fiction and fantasy-related music in these categories:

  • Best Filk Song
  • Best Classic Filk Song — a song at least 10 years old that has “entered filk community public consciousness”
  • Best Performer
  • Best Writer/Composer
  • 2015 Rotating Category: Best Adapted Song — “parodies, pre-existing lyrics set to new music (for example, setting a Kipling poem), or other material adapted to filk”
  • 2015 Rotating Category: Best Time-Related Song — “31st wedding anniversary gifts are timepieces. For OVFF’s 31st Anniversary we focus on anything related to time”

Anyone who has an interest in filk music — which most people think of as science fiction and/or fantasy-related music — is considered part of the “filk community” and can participate in brainstorming possible nominees, nominating, and voting. The award by-laws define “exhibiting interest” using examples such as filking at SF&F conventions, attending filk conventions or “house sings,” taking part in related on-line forums, and just “discussing filk and filk related issues with other filkers.”

Speaking of “discussing filk and filk related issues with other filkers,” last week on the Baen Free Radio Hour we released part 1 of a 2-part roundtable discussion about filk. Here’s the link to an MP3 of the podcast. We’ll release part 2 sometime in May.

All that being said, you can probably claim to have exhibited interest in filk just by reading this far in this post (for which, thank you!), and therefore would be qualified to participate in the Pegasus Award process. So if you have favorites you’d like to suggest, fill out the Brainstorming Poll Form. Note that there’s only space for five suggestions in each category, but you’re allowed to fill out as many brainstorming forms as you like. (I filled out two.) But you have to submit your suggestions soon — as in, today! The deadline is one minute after midnight tonight, Pacific Time, or around 3 a.m. tomorrow morning, Eastern Time.

The actual nomination phase to decide what goes on the ballot will start next month, when the brainstorming results are released, and then voting will take place later in the summer. Then the Pegasus Awards will be awarded at the Ohio Valley Filk Fest in October.

So … start your brainstorming! And finish it, quick!

___
Related Posts:
The Pegasus Award Brainstorming Poll is Open!
In Case You’re Nominating for Any Awards This Year
What Do YOU Think is the Best Adapted Filk Song?
What Do YOU Think is the Best Time-Related Filk Song?

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Getting Just Deserts? I’d Rather Just Have Desserts

It has been “interesting” these past few weeks, for varying degrees of the word, watching the attacks and counterattacks of the Hugo Award fracas* and dealing with the fallout and toxic residue. Being a person of little import or influence may have shielded me somewhat, for which I’m thankful. At least for the moment, some of the ire seems to have abated, indignation reduced from a full boil to a slow simmer.

Triple Chocolate Mousse Cake
(Getting just dessert is certainly tastier than getting one’s just deserts. Image: “Triple Chocolate Mousse Cake,” by Josh, on Flickr under Creative Commons.)

Despite the fact that my nominated story was part of the notorious slate of candidates that locked up more categories than anyone thought possible, several friends — including some who were aware of the controversy — sent me nice congratulations. And a few of them, in congratulating me, said it was “well-deserved.”

I value their support very highly — things that are rare are precious — and I appreciate the sentiment, but “deserve” carries a specific connotation to me such that I prefer not to use the word. My way of looking at it is perhaps peculiar, and one that others may consider odd, but I think no one “deserves” an award (least of all, me). To put it in a more direct way, I don’t “deserve” a Hugo Award — but maybe not for the reason that you think. The way I see it, no one does.

My first objection to saying that I or anyone else “deserves” an award goes back to my time in the Air Force, when I was writing evaluation reports and promotion recommendations and such. Even though “deserve” can mean “be qualified for” or “be worthy of” — and I hope that’s what my friends meant — I learned not to use the word because it can also carry the connotation of being “entitled to” something. No one is entitled to or has an automatic right to such a reward or place of privilege.

Thus I would not say, “Technical Sergeant So-and-so deserves promotion to Master Sergeant,” but instead would say she was ready for promotion, was qualified for and already taking on some of the roles of the higher rank, or perhaps that in my opinion she should have been promoted sooner. Likewise I would not say that Lieutenants Frick and Frack “deserve” Air Force Commendation Medals, but instead that they had each “earned” a medal by virtue of their service.

So when I think about the Hugo Awards — for “excellence in the field of science fiction and fantasy,” and the “most prestigious award in science fiction” — I think that I do not “deserve” such recognition, and indeed none of us does, in the sense that none of us are entitled to it. None of us has a right to anything such as that.

The second reason I dislike using the word “deserve” is that in contrast to the phrase “just deserts” it seems to me everyone has things happen to them — good and bad, but particularly bad — that they don’t deserve. When we use the word that way, such as “Oh, that’s terrible, he didn’t deserve that,” the implication is that the person did not earn or have control over the outcome but rather that fate had conspired against them for reasons unknown and unfathomable. She did not deserve to endure that pain and suffering, he did not deserve to contract that disease.

To flip that from the negative to the positive: Even when I think of the good things that have happened in my life, I am loath to say that I deserved them. Some I could claim to have earned, but many seem arbitrary, in the sense that I did little or nothing to earn them, that fate conspired in my favor perhaps for no reason at all, when I might have deserved — really deserved — far worse. I am grateful for all such blessings, but I do not feel that I deserve them.

All of that is a long way of saying that I don’t think I “deserve” a Hugo Award nomination, much less an award itself, because things like that are (to me) not, strictly-speaking, deserved. Even so, I am grateful for the nomination and I might, just might, possibly, have earned it. Why? Because I did the work.

I wrote a story. In fact, the work I did on my story (or that any of the nominees and would-be nominees did on their stories) was complete long before the nomination period opened. I cast that bread upon the waters, so to speak. I did the work, cashed the check, and expected no further reward.

I still expect no further reward. I don’t “deserve” any further reward. I appreciate that some people think that the work — not me, personally, but the work I did — is worthy of recognition. I acknowledge that others disagree: some on the basis of the work, some perhaps for reasons unconnected to it. But I am buoyed by every report that someone appreciated spending time in my make-believe world; I claim no right or entitlement to any accolade, but I am humbled to think that anyone considered my work to be worthy of recognition.

I admit that all the controversy surrounding the nominations has made this a less pleasant experience than it might have been. A friend whom I respect even contacted me with the suggestion (encouragement? urging?) that I should withdraw my nomination, to avoid being caught, dragged under, and having my career drown in the raging turmoil. I appreciate the concern, and to some degree share it; the idea was, and in some respects still is, tempting.

But to paraphrase what I told some other friends when the furor was first cresting: whenever the uproar threatens to steal all my joy I try to concentrate on two things. First, I wrote the best story I could. Second, some people seem to have liked it. I would not go back and undo the first, and I will not cease to be thankful for the second.

And, for the record: I’m also thankful for desserts. Especially pie.

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N.B. The above was adapted from an article I sent out in my newsletter. If you want to receive my newsletter, then I may question your judgment but you can sign up for it here anyway.

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*I hesitate to call the Hugo Awards controversy a “war,” since at heart this is all contention over works of imagination. Far more has been written about it than may be possible to read (part of the hazard of any controversy involving writers). For my own take on the matter, if you’re curious, see What I Nominated for Hugo Awards, and Three Ideas to Consider and The Hugo Awards: Considering the Controversy.

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Con of the Ravens … This Weekend in Richmond

This weekend I’ll be at the RavenCon science fiction and fantasy convention up in Virginia.

RavenCon is always a lot of fun, and I appreciate them inviting me back this year. Lots of my friends will be there, and I will be busy, as usual:

Friday:

  • 4 pm, Open Filking
  • 6 pm, Panel: Critiquing, The Right Way — I’m moderating this panel
  • 7 pm, Opening Ceremony
  • 8 pm, Workshop w/ Paula Jordan: After the First Draft

Saturday:

  • 10 am, Panel: How To (Not) Ruin Your Writing Career — I’m moderating this one, too
  • Noon, Reading — and singing, there will be singing
  • 4 pm, Baen Books Traveling Road Show

Sunday:

  • 10 am, Panel: Riding the National Security Coattails — Moderating again
  • Noon, Panel: Ten Books Representing 20th Century SF
  • 2 pm, Signing

As always, I will have copies of Truths and Lies and Make-Believe as well as “Another Romulan Ale” and “Tauntauns to Glory” bumper stickers. Stop by and say howdy!

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Evolution of An Album Cover

As we’re making progress on my new album, Distorted Vision — about which I’ll have more to say in the future — I thought some folks might be interested to see how the cover of Truths and Lies and Make-Believe came about. Just as I could not have recorded the album by myself, I could not have put the cover together without the help of some very skilled people!

First, here’s my original idea of what I wanted the cover to look like:

Truths Lies cover art mock-up

I made that image on PowerPoint, using a picture I found on the Internet and the poster idea I’d first used in flyers for the album. I wanted an old-timey feel to it, and something about the idea of putting up notices appealed to me. Eventually, instead of trying to do two rows of posters I decided to use a single row — primarily because it was less work!

With the concept in mind, I drove around town looking for different places where we might stage the scene. I found several candidate walls in wood and cement and brick, and talked to nearby vendors about whether we could put up posters on them. Ultimately I got permission from the Creative Images trophy and sign shop to use the wall and doorway on the side of their building.

I went frugal with the posters: I printed them at Staples in a couple of different sizes to see what would work, then had enough printed for the photo shoot. They were printed on white paper that I “antiqued” with tea — specifically, a mix of black tea and some raspberry tea for a little reddish tint. (The tint comes through a little on the color versions of the photos — you can see a few of them on my web site.) To hang the posters, I mixed up batches of wheatpaste from a recipe I found on the web.

My photographer for the day was Paul Cory, who had recruited several ladies to be passers-by and observers in the pictures of me putting up the posters. I had recruited my daughter Stephanie as well, and in addition to her we had a lady Jedi, a “steampunk pirate,” and the comic book character The Question. You can see them on the inside of the CD cover, like this:

The original color version of that image, without the “postcard” effect, is one of the backgrounds on my web site.

Here’s the final cover design, as put together by my son Christopher:

I think it turned out to be a great realization of my original concept. And I very much appreciate everyone who helped make it a reality!

You can see all the cover images, inside and outside, on the album’s Bandcamp page.

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P.S.  I adapted this blog post from an article sent previously to my newsletter subscribers. If you’d like to receive my every-so-often newsletter, fill out the form here.

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