Author Archives: Gray Rinehart

What Can You Tell About This Book By Its Cover?

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Do you think the old adage is correct, that you can’t tell a book by its cover? Maybe in some ways, but at least the cover should give you an idea of what kind of book you’ve picked up. I think mine does.

Here’s the complete cover of Walking On the Sea of Clouds:


(Click for larger image.)

Here’s what it says on the back:

“Annoyed you haven’t been to the Moon yet? Then pick up Walking on the Sea of Clouds; you’ll feel like you’re there.”
—Charles E. Gannon, author of the award-winning Caine Riordan series
_____

ON THE LUNAR FRONTIER . . .
. . . survival and success require sacrifice.
. . . some sacrifices are greater than others.
. . . sometimes surviving is success enough.

Every frontier, every new world, tempts and tests the settlers who try to eke out an existence there. In Walking on the Sea of Clouds, a few pioneering colonists struggle to overcome the unforgiving lunar environment as they work to establish the first independent, commercial colony on the “shore” of Mare Nubium, the “Sea of Clouds.” What will they sacrifice to succeed—and survive?
_____

“This book will be treasured by anyone who has ever dreamt of visiting the Moon, walking on another world, or bathing beneath the light of a distant star.”
—David Farland, author of the NYT-bestselling Runelords novels

“Two things are immediately clear. First, Gray Rinehart knows his field(s) inside out; and second, he writes with grace, skill, and professional polish. What more could any reader ask?”
—Mike Resnick, multiple Hugo-award-winning author

So, does that tell you what you need to know about the book? I hope so.

Stay tuned, here and to WordFire Press, for more info as we work our way up to release!

___
P.S. I’ve got a new sign-up form for my mailing list. If you’re not getting my every-once-in-a-while newsletter, use the form in the upper right to sign up.

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A Daily Baptism?

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(Another in the continuing “Monday Morning Insight” series of quotes to start the week.)

On this Easter Monday, it seems appropriate to recall one of the seminal events in the development of Protestant Christianity: on this date in 1521 Martin Luther appeared at the Diet of Worms — an assembly (“diet”) convened in Worms, Germany, from 28 January to 26 May 1521 by the Holy Roman Emperor Charles V — to answer the charge of heresy.

On the 17th, Luther was presented with a list of his own writings and asked if he would recant of the heresies they contained. He asked for time to consider how to respond to the charges, and was granted a day to think it over. On the 18th, he spoke. He differentiated between the various works, left open the question of recanting if he could be shown his error, and apologized for the harsh tone of some of the works, but in the end Luther said,

Unless I am convinced by the testimony of the Scriptures or by clear reason (for I do not trust either in the pope or in councils alone, since it is well known that they have often erred and contradicted themselves), I am bound by the Scriptures I have quoted and my conscience is captive to the Word of God. I cannot and will not recant anything, since it is neither safe nor right to go against conscience. May God help me. Amen.

What does that have to do with baptism? Nothing in itself, but it does illustrate the confidence Luther had in his Scriptural interpretations. And that leads us to something he wrote about baptism ….

St Patrick’s Cathedral
Interesting fish-eye view of Saint Patrick’s Cathedral, founded near a well where Saint Patrick is supposed to have baptized converts. (Image: “St Patrick’s Cathedral,” by Jennifer Boyer, on Flickr under Creative Commons.)

In a treatise on infant baptism, Luther presented an idea I find very interesting. He wrote that baptism

… is nothing else than putting to death the old Adam, and after that the resurrection of the new man, both of which must take place in us all our lives, so that a truly Christian life is nothing else than a daily baptism, once begun and ever to be continued.

I don’t think Luther’s point is that we need to be baptized anew every day (though most of us benefit from bathing regularly). Baptism is a living metaphor, and not one we actually need to go through again and again. It seems to me that what Luther calls a “daily baptism” is the daily personal exercise in living out the faith. In other words, following Christ involves living every day in light of the two central facets of our faith: that Christ died, and that our “old man” died with him; and that he rose again, and thereby we also have new life. Baptism is the experience that represents those facets of the faith.

It is a remarkable thing to consider. But it’s not as easy to do as it is to consider, or even to write about.

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Holding On

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If I Had Been an Apostle on that terrible Holy Saturday,

… would I have gone into hiding? Yes, I would.
… would I have sunk into despair? Yes, I would.
… would I have wondered if it all had been for naught? Yes, I would.

Because I am fickle and uninspired and weak. Because all I had dreamed of and hoped for had been crushed. Because I would have known, with the surety that I knew the sun would rise, that I was bound for the same fate.

Despair
Sometimes all we can do is hold on. (Image: “Despair,” by Lloyd Morgan, on Flickr under Creative Commons.)

And yet, when the next day dawned for the Apostles, all was not as they feared it would be. The world was the same, but their lives were radically changed. They held on long enough to see the new dawn, and sometimes — when we are hiding, in despair, and wondering if what we’ve done is for naught — all we can do is hold on, as well.

Wherever you are, whatever you may be going through … hold on.

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The Power of Inflection

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Since I worked as a speechwriter for a number of years — and would write more speeches, if the right clients came along — I thought I’d do at least one public-speaking-related episode of “Between the Black & the White.”

Public speaking can be hard, and some of us are afraid to do it. A lot of factors go into that fear — who the audience is, how well we know the subject matter, whether we’ve had a chance to practice, and so forth — and I’m not sure it ever goes away completely. One looming part of the fear of speaking in public is wondering how our words will be heard.

Most of us have had the experience of listening to someone speaking in monotone. They put no emphasis on any certain words or syllables, and live up to what “monotone” means: one tone, one sound. Their words change, but their delivery doesn’t. From that experience, we know there’s good reason for “monotonous” to be synonymous with “boring.”

If we remember what it’s like to be bored by a speaker, then we never want to be boring when we’re the one speaking! Avoiding a monotone delivery can help in that regard, but it can also do much more.

Back when I was teaching I developed an easy demonstration of how adding just a bit of emphasis can change the meaning of a simple statement. The nice thing is that we do it naturally all the time — it’s not a new skill to master, just a technique to be aware of that can help us make the points we want to make. “The Value of Inflection” lies not only in what it can do to help us avoid being monotonous, but in the fact that it’s something we already use in our day-to-day lives.

You’re probably comfortable enough with using inflection that this video won’t help you much, and it might be hard to find a tactful way to suggest that your monotone friend watch it — but, there it is:

If you’re a teacher, though, and you want to help your students develop their public speaking skills, feel free to use this exercise or one like it. Let me know how it goes!

Thanks, and have a great day!

___
More “Between the Black & the White”:
– Debut episode, The Musashi-Heinlein School
– Series Introduction
– Host Introduction

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Two Brief Testimonials

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The novel is coming, one of these days! No release date yet for Walking On the Sea of Clouds — it’s still supposed to be a Spring release, and Spring has a few more weeks in it. I’ll let you know when to start looking for it to appear, but meanwhile I thought I’d present two more blurbs.

First, from Mike Resnick, whose stories have garnered more awards and award nominations than any other science fiction writer:

Two things are immediately clear. First, Gray Rinehart knows his field(s) inside out; and second, he writes with grace, skill, and professional polish. What more could any reader ask?

Second, from Martin L. Shoemaker, the award-winning author of “Today I Am Paul”:

Gray Rinehart knows that real engineering is messy, and that Murphy was an optimist. When whatever can go wrong with constructing the first Lunar colony does go wrong, teams on the Moon and on Earth struggle to save the project–and their lives. This is meat and potatoes for the hard science fiction fan.

If it’s permissible to put two different things together, I guess you might say that I know my stuff, and my stuff might appeal to hard science fiction fans. (I admit I really like that “meat and potatoes” line.)

So if you know any hard SF fans, maybe they’d find something to like in my novel.


Look, up in orbit, a Supermoon! (August 2014 Image from NASA/Bill Ingalls.)

Stay tuned, here and to WordFire Press, for more info!

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Truth and Offense

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(Another in the continuing “Monday Morning Insight” series of quotes to start the week.)

Today is English writer William Hazlitt’s birthday (10 April 1778 – 18 September 1830). He was a poet, a painter, and a philosopher, and made a number of interesting observations about life. In fact, I found so many interesting things online that it was hard to settle on a quote to examine today. But in an 1823 collection called Characteristics, item 387, Hazlitt wrote:

An honest man speaks the truth, though it may give offence; a vain man, in order that it may.

I compare this to Saint Paul’s instruction that we should “speak the truth in love” (Ephesians 4:15) — if we do so, we may offend the listener but our intent clearly is otherwise. Any offense is incidental, if not actually accidental. But if instead we speak the truth in order to offend, then the love we exhibit is more clearly love of ourselves, and that is vanity indeed.

After all, we shade the truth when we care for a person and wish not to hurt them. Surely you have done so at one time or another: that suggestion was excellent; you did that very well; I would love to go with you to do that thing you want to do; and so forth. The more deeply we care for someone, the less likely we are to tell the bare, unvarnished truth.

Our capacity for speaking harmful, offensive truth is inversely proportional to how much we care for the people with whom we interact.

Truth
Does the truth offend you? (Image: “Truth,” by Tim Abbott, on Flickr under Creative Commons.)

Thus, particularly in so-called “social media” where we interact at a distance with people who are very nearly strangers to us, speaking some manner of truth — perhaps objective truth, perhaps only perceived truth — in order to offend, in order to provoke, in order even to antagonize, has become something of a diabolical art. I struggle against the tendency myself, and have given in to it more often than I care to admit, but I’m trying to get better.

It’s not easy sometimes to be both truthful and kind, but I hope we figure out how. Have a great week!

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So, I Started This Video Thing …

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It’s been a long time since I made a video, and even longer since I attempted a series, but now seemed like as good a time as any!

I put together my last video series back when I was with the Industrial Extension Service at NC State University, and it was called the “Manufacturing Minute.” I made 44 videos in that series, and probably would’ve made more except that I left that job 3 years ago this month. Each of the “Manufacturing Minute” episodes was “about a minute, about manufacturing,” and even though they were targeted at a niche audience folks seemed to appreciate them. (They’re still available if you know where to look.)

My new series is something different — it will cover a variety of things, not just manufacturing, because I have a variety of interests. For instance, this first episode combines guidance from a samurai warrior and a science fiction Grand Master to arrive at what I call “The Musashi-Heinlein School”:

I hope you liked it! I intend to keep all the entries about as short as this one; right now I don’t envision any of them running much longer than about 5 minutes.

If you have any thoughts about this new venture, I’d love to hear them. Let me know if you have comments, questions, suggestions for improvement or suggestions for future episodes — for instance, if you’d like me to expand on “The Musashi-Heinlein School” by delving into the different things Heinlein listed.

Thanks for watching, and have a great day!

___
Related Items:
– Series Introduction (extra episode)
– Host Introduction (extra episode)
– I delve into some of the ideas from the video in my book, Quality Education: Why It Matters, and How to Structure the System to Sustain It

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Another Testimonial: ‘You’ll feel like you’re there’

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The WordFire Press team and I have made progress on my forthcoming novel, Walking On the Sea of Clouds, though I’m still not sure what the actual, definite, no-kidding release date is yet. I’m still counting on it being a Spring release — which, if you’ve seen previous posts about the book, you know I take to mean between now and the summer solstice.

In the meantime, I’m pleased — and, I must admit, quite humbled — to present another endorsement, this one from Charles E. “Chuck” Gannon, author of the award-winning Caine Riordan books:

You’ve always wanted to go to the Moon. You’ve always loved hard science fiction. You’ve always gravitated toward believable characters. You’ve never found a way to get all three in the same place, at the same time. Well, now there’s a way. Here’s how:

You pick up Gray Rinehart’s Walking on the Sea of Clouds, the most faithful and gritty ‘you are there’ novel of early lunar settlement I’ve ever had the pleasure to read. This is hard SF at its hardest — by which I mean that not only is the science spot on and largely off-the-shelf, but the characters conform to the emotional and psychological limits of folks we interact with every day. There are no galactic crises to be overcome, no interpersonal conflicts that erupt into homicidal rage, and no cast of quirky tycoons, femme fatales, or wise-cracking test-pilots. This is the Moon as it’s likely to be in the early days of colonization, where even the smallest problems have impacts far beyond what living on Earth has trained us to anticipate.

Annoyed you haven’t been to the Moon yet? Then pick up Walking on the Sea of Clouds; you’ll feel like you’re there.

Hopefully that whets your appetite for the story, or you know someone who might like the kind of story Chuck described. And hopefully in the next few weeks we’ll be able to tell you how to order a copy!


Want to go to the Moon? (Full Moon image from Apollo-11, from NASA.)

Let me know if you have any questions, and feel free to share this with anyone who might be interested!

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The ‘Endless Mazes of Literature’

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(Another in the continuing “Monday Morning Insight” series of quotes to start the week.)

Today is Washington Irving’s birthday (3 April 1783 – 28 November 1859). Irving is best known for the 1819 short story “Rip Van Winkle” and the 1820 short story “The Legend of Sleepy Hollow,” both of which appear in the collection The Sketch Book of Geoffrey Crayon, Gent. The collection also includes the comical story “The Mutabilities of Literature,” in which Irving wrote a long passage that perhaps applies even more to our literary world than it did to Irving’s. With emphasis added:

Language gradually varies, and with it fade away the writings of authors who have flourished their allotted time; otherwise, the creative powers of genius would overstock the world, and the mind would be completely bewildered in the endless mazes of literature. Formerly there were some restraints on this excessive multiplication. Works had to be transcribed by hand, which was a slow and laborious operation; they were written either on parchment, which was expensive, so that one work was often erased to make way for another; or on papyrus, which was fragile and extremely perishable. Authorship was a limited and unprofitable craft, pursued chiefly by monks in the leisure and solitude of their cloisters. The accumulation of manuscripts was slow and costly, and confined almost entirely to monasteries. To these circumstances it may, in some measure, be owing that we have not been inundated by the intellect of antiquity; that the fountains of thought have not been broken up, and modern genius drowned in the deluge. But the inventions of paper and the press have put an end to all these restraints. They have made everyone a writer, and enabled every mind to pour itself into print, and diffuse itself over the whole intellectual world. The consequences are alarming. The stream of literature has swollen into a torrent — augmented into a river — expanded into a sea.

How much more, today, have the computer and the e-reader “put an end to all … restraints” on publication and “made everyone a writer”? How much more has current technology “enabled every mind to pour itself into print”? How much more has “the stream of literature … swollen into a torrent — augmented into a river — expanded into a sea”?

Get Lost
Are the “mazes of literature” this difficult to navigate? (Image: “Get Lost,” by Tim Green, on Flickr under Creative Commons.)

If our current electronic age survives the pressures and turmoil of passing history, our descendants may be “inundated by the intellect of antiquity” — that is, by what we pass off as intellect — and have their “modern genius drowned in the deluge.” We will be gone, of course, the “authors who have flourished their allotted time” however short that may be, so it will depend upon our descendants to ensure that they aren’t “completely bewildered in the endless mazes of literature.”

Something to think about, eh?

Thanks for spending a few minutes here, and I hope you have an excellent week!

___

Afterword: I find it interesting that, in addition to his literary pursuits, Washington Irving served as US ambassador to Spain (1842-46). I’d be up for something like that, if the government were to call upon me to serve in that capacity … hint, hint.

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This Punk Can’t Punctuate

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… consistently, that is.

File this under, “how a manuscript becomes a published novel.”*

I spent the last week or so poring over the proof copy of Walking On the Sea of Clouds, and realized that I’m not as good at the mechanics of writing as I thought I was.

  • Spelling? Not too shabby. I think all the spelling errors had been caught by the time this proof was done.
  • Grammar? It was pretty clean on that front as well, with the exception of a few things that could go either way. For instance: they changed one brief passage from simple past tense to past perfect tense, to avoid some confusion.
  • Punctuation? Abysmal.

And what’s worse, every punctuation error in the proof came straight out of the manuscript I submitted. They didn’t change them, I guess because they thought I wanted them that way, but very soon I wanted to grit my teeth at my own inattention to detail.

My main problem was hyphenating words that didn’t need hyphens, such as writing “pre-fabricated” where “prefabricated” is a perfectly good word, or “set-up” instead of “setup.” Not a tragedy, by any stretch, but what annoyed me most was that I had been inconsistent within the document itself and used both versions here and there — “de-briefing” in one spot, say, and “debriefing” in another — with no rhyme and certainly no reason.

So, herewith I apologize to the editorial and production team at WordFire Press for not being more diligent in catching all those errors sooner.

Employee Must "Wash Hands"
Punctuation can be pretty important. (Image: “Employee Must ‘Wash Hands’,” by Sean Graham, on Flickr under Creative Commons.)

I suppose I could have kept silent about my punctuation problems. Once the errors were corrected, folks who hadn’t seen an advance reader copy wouldn’t know how inconsistent my punctuation was in the early going. But I thought it was better to come clean about it, by way of expressing my thankfulness for the opportunity to catch the problem in production. To me, it validates my choice to go with a small press instead of self-publishing.

Will the final product be perfect, in the sense of having no flaws? Of course not. But it will have fewer flaws than the version I just saw, and that’s what matters.

And the good news is that this stage of the proofing is done, so now we press on. Wish us luck!

___
*That line sparked a strange idea: To write a song to that effect, along the lines of the old Schoolhouse Rock number, “How a Bill Becomes a Law.”

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